#100Days100Poems Day 40

It seems a lifetime ago that we discussed how even the nation’s most important cultural institutions are in the struggle against the cacophony of crazy from Trumpet and his minions. The Museum of Modern Art installed several works to add voice to the chorus of those of us protesting and fighting. With each plaque accompanying the pieces you read

This work is by an artist from a nation whose citizens are being denied entry into the United States, according to a presidential executive order issued on January 27, 2017. This is one of several such artworks from the Museum’s collection installed throughout the fifth-floor galleries to affirm the ideals of welcome and freedom as vital to this Museum, as they are to the United States.”

Inspired by this, today’s poem joins the other ekphrastic pieces responding to some of the works in the MoMA’s collection. The poem, untitled at the moment, simply bears the name of the artist and painting. Photos of the piece are the author’s own.

***

The Mosque 1964
Ibrahim El-Salahi, Sudanese, born 1930
Oil on canvas

somewhere just off-canvas

        or so it seems

                the muezzin begins the adhan

        and it calls out from the minaret

        stretching far beyond frame

                and gallery, far

        beyond wall and window

and from the west

        a figurey shadow looms

                menaces in manic paranoia

        the mosque suddenly marked & monitored

                        no longer sanctuary

to the east, a figure

        masked,

                perhaps Munchian in style, no

        El-Salahian

                        perhaps he the muezzin

                is it a look of dread

                        eyes wide mouth agape

                is it a look of reverence

                        the call pouring from outspoken lips

                is it a look of caution

                        a warning warbled of the wicked

                wizard of

                                the west

the shadow rising from

        & the call continues

        and the mask reveals nothing

                as if frozen in oil on canvas

        & the call continues

        through soundless swirls and silhouettes

& the call continues

        the muezzin is muzzled/is the muezzin muzzled

the perilous penumbra poised in the west

        poisonous in its prevarications

        dangerous in its discharge of belligerent jingoism

the western aggression

        threatening bans & walls & wars & blitzes

another call starts

is it to line up for prayers

        or deportation

        or encampment

                        for petitions

        or capitulation

        or opposition

somewhere just off-canvas

another call starts

***

 

© David Siller – Text and Images – 2017

.*****

For the first 100 days of the Trumpet administration, this blog will feature a new poem of protest, by my own hand and by others. They will be polished gems, or rough cut drafts of rage, or in process pieces searching for peace. They may be haiku or tanka, limericks or lyrics, verses free or fettered. If you would like to submit to this endeavor, please send an email, with poem saved as a word document (.docx) to waxyandpoetic AT gmail DOT com. All rights remain with the author.

VISUAL ARTISTS ! Do you have something visually poetic that you’d like to submit? GO FOR IT!

Please address any formatting preferences in your email. I will post submissions time permitting, with at least one per day. Editing will be limited to obvious errors of spelling and the like.

Read, follow, share, re-tweet, submit, live, love, spread light! Don’t forget to use #100Days100Poems !

*****

#100Days100Poems Day 38

Colin Mochrie tweeted a brilliant anagram of the name of our begrudged rump-in-chief the other day. There was inspiration. And percolation. And writing. It might not quite be a poem, but it’s today’s protest piece.

The Reality TV President

with apologies and thanks to Colin Mochrie

ANNOUNCING!
BBCAmerica and Faux News are proud to present a new, unscripted television series following the trials, tribulations, and traumas of a fish out of water, a New York Elite in a working class watering hole, a corrupt con man trying to outcon the controlling charlatans in an already corrupt game of grift.

 

Season 1 Episode titles include:

.

Lord Dampnut

…and the Russian non-Involvement

…and the Bright Orange Effigy

…and the Second-Term Conundrum

…and the Ghost of Nixon and Emails Past

…and the Popular Vote and What it Means to Lose It

…and the Finer Points of Swamp Maintenance

…and the Alt-Right Way to build a Reich

…and the Nuclear Football Password

.

Lord Dampnut

…and the Finely-Tuned Chaos Machine

…and the Gardner on the Golf Course

…and the Hollywood Walk of Fame Pentagram

…and the Itch that Grabs You by The Pussy

…and the Extra Security Inefficacy

…and the Snowflake Twitter Account

…and the Difference between Fake News & Alternative Facts

…and the Loyalty Trumpet that Plays Our Song

.

Lord Dampnut

…and the deer in the headlights, horse of a different color, dog that don’t hunt, wrong monkey at the wrong circus, fish without a bicycle, shark-jumping, jail-baiting no good very bad presidency.

.

Premiering in January 2017; hoping for cancellation by March 2017.

 

 

© David Siller – 2017

.

*****

For the first 100 days of the Trumpet administration, this blog will feature a new poem of protest, by my own hand and by others. They will be polished gems, or rough cut drafts of rage, or in process pieces searching for peace. They may be haiku or tanka, limericks or lyrics, verses free or fettered. If you would like to submit to this endeavor, please send an email, with poem saved as a word document (.docx) to waxyandpoetic AT gmail DOT com. All rights remain with the author.

VISUAL ARTISTS ! Do you have something visually poetic that you’d like to submit? GO FOR IT!

Please address any formatting preferences in your email. I will post submissions time permitting, with at least one per day. Editing will be limited to obvious errors of spelling and the like.

Read, follow, share, re-tweet, submit, live, love, spread light! Don’t forget to use #100Days100Poems !

*****

#100Days100Poems Day 32

Under the Trumpet regime the arts are already under attack. Rest assured the artists, and those who support them, will fight back. Never go in against a poet when poetry is on the line. (You think I could get Wallace Shawn to record that for me?)

Today’s piece is most assuredly a first draft, but here it is:

***

The Petty Thief-in-Chief

 

And there, on a 6th Ave train headed uptown
stood nine sumptuous ladies
impeccable robes & inspired accoutrements
buzzing, their subway car
oblivious
the cutpurse did,
snipping handbag strings & messenger bag straps,
snatching from clutches & pinching from pouches:
and Urania’s compass comes up nipped
Melpomene’s & Thalia’s masks mooched into the mass in mass transit
Terpsichore’s pointe shoes pilfered
Polyhymnia’s veil vanished in a flash
score sheets & melodies swiped from Euterpa
tablets & notepads, pens & pencils nicked from Calliope, picked from Erato
and Clio’s news scrolls & history books seized and suppressed–


all for the greed of a few pennies.

.

© David Siller– 2017

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*****

For the first 100 days of the Trumpet administration, this blog will feature a new poem of protest, by my own hand and by others. They will be polished gems, or rough cut drafts of rage, or in process pieces searching for peace. They may be haiku or tanka, limericks or lyrics, verses free or fettered. If you would like to submit to this endeavor, please send an email, with poem saved as a word document (.docx) to waxyandpoetic AT gmail DOT com. All rights remain with the author.

VISUAL ARTISTS ! Do you have something visually poetic that you’d like to submit? GO FOR IT!

Please address any formatting preferences in your email. I will post submissions time permitting, with at least one per day. Editing will be limited to obvious errors of spelling and the like.

Read, follow, share, re-tweet, submit, live, love, spread light! Don’t forget to use #100Days100Poems !

*****

#100Days100Poems Day 22

As we mentioned yesterday, the Museum of Modern Art has joined in the voices against the Trumpet nonsense. With each plaque accompanying the art you read

This work is by an artist from a nation whose citizens are being denied entry into the United States, according to a presidential executive order issued on January 27, 2017. This is one of several such artworks from the Museum’s collection installed throughout the fifth-floor galleries to affirm the ideals of welcome and freedom as vital to this Museum, as they are to the United States.”

Today’s poetic response is to [Composition-40-2011] by Shirana Shahbazi, a German artist born in Iran in 1974. It is a chromogenic color print from 2011.

space-painting

 

 

 

Standing on a Ridge on Callisto,
Gazing toward the Sun

“Of course, it’s easy to see
the Red Planet, Mars,
God of War, guardian of agriculture--
and next to him the terrible Deimos,
as if war needed an escalation,
and just beyond is Luna,
that bright white moon doing
all it can to hide the blue dot behind.”
 

        And what is that, exactly?


Nothing worth the trouble--
separated by puddles
they still fight over myths &
borders & trinkets &
colors.
So wrapped up in themselves
we are able to remain here,
unknown
unbothered
uninvaded  
and the sun a kilomètre zéro, blazing bright center,
lighting our way to more,
            far beyond the blue, wet contentious stone. 

© David Siller – Photo and Poem – 2017

.

 

*****

For the first 100 days of the Trumpet administration, this blog will feature a new poem of protest, by my own hand and by others. They will be polished gems, or rough cut drafts of rage, or in process pieces searching for peace. They may be haiku or tanka, limericks or lyrics, verses free or fettered. If you would like to submit to this endeavor, please send an email, with poem saved as a word document (.docx) to waxyandpoetic AT gmail DOT com. All rights remain with the author. VISUAL ARTISTS ! Do you have something visually poetic that you’d like to submit? GO FOR IT!

Please address any formatting preferences in your email. I will post submissions time permitting, with at least one per day. Editing will be limited to obvious errors of spelling and the like.

Read, follow, share, re-tweet, submit, live, love, spread light! Don’t forget to use #100Days100Poems !

*****

 

#100Days100Poems Day 21

Even the nation’s most important cultural institutions are in the struggle against the cacophony of crazy from Trumpet and his minions. The Museum of Modern Art recently installed work to add voice to the chorus of those of us protesting and fighting. With each plaque accompanying the pieces you read

This work is by an artist from a nation whose citizens are being denied entry into the United States, according to a presidential executive order issued on January 27, 2017. This is one of several such artworks from the Museum’s collection installed throughout the fifth-floor galleries to affirm the ideals of welcome and freedom as vital to this Museum, as they are to the United States.”

Inspired by this, today’s poem will be the first of eventually several ekphrastic pieces responding to some of the works in the MoMA’s collection. The poem, untitled at the moment, simply bears the name of the artist and sculpture. Photos of the piece are the author’s own.

 

 

 

The Prophet 1964
Parviz Tanavoli, Iranian and Canadian, born 1937
Bronze on wood base

I. The Profit
Eyes downcast
 this blockhead leaning or falling back
  hands worse than tied: stopped locked and boxed
   such constraints only propel the reverse
    this is the devolution, where capitalism
     trumps democracy, where regression
      brings a high ROI, at least to the top
      (lean back enough, you’ll see up there)
       hands worse than tied: unable to reach the ballot box
        from this prison of our own (though not the majority of us)
         making the stench in the air comes from the refilled swamp
          a reminder that money does(n’t?) buy democracy

                                                      The Prophet II.
                                                    Eyes high & wide
                                               arms folded & strong
                                         we lean into the future
                                       lean into the struggle
                                    our queer straight immigrant
                                  citizen shoulder to the wheel
                                 you see hollowed stomach,hungry holes
                               this is how we feed ourselves,
                             that pit yearning for freedom
                           this pit to be filled with justice,
                         that with equality, this with light,
                       those with shared bread, shared love,
                     shared dream
                    this is the revolution,
                   where, like comic book heroes,
                 we stand firm, we plant ourselves like a
               “tree beside the river of truth,
             and tell the whole world, No, you move
           because for the struggle forward is the only way


through walls & bans & backroom bargains
through bought pols & bought polls & 
bought nominations & bought abominations
the power of a prophet always mightier than that of the profit

 


© David Siller – Photos and Poem – 2017

.

 

*****

For the first 100 days of the Trumpet administration, this blog will feature a new poem of protest, by my own hand and by others. They will be polished gems, or rough cut drafts of rage, or in process pieces searching for peace. They may be haiku or tanka, limericks or lyrics, verses free or fettered. If you would like to submit to this endeavor, please send an email, with poem saved as a word document (.docx) to waxyandpoetic AT gmail DOT com. All rights remain with the author. VISUAL ARTISTS ! Do you have something visually poetic that you’d like to submit? GO FOR IT!

Please address any formatting preferences in your email. I will post submissions time permitting, with at least one per day. Editing will be limited to obvious errors of spelling and the like.

Read, follow, share, re-tweet, submit, live, love, spread light! Don’t forget to use #100Days100Poems !

*****

#100Days100Poems Day 13

It seems that we’ve been fighting the good fight forever, though we’ve only been at it a couple of weeks. Would that we could take the cheerleaders from the sports world and have them cheer us on! But we don’t need them, we have each other, and this Rah! Rah! Rah! of a poem.

 

Where Are You, America?

there you are, you
        scientists & park rangers & women & men & immigrants & 
        green card holders & teachers & stay-at-home dads & 
        stay-at-home moms & christians & muslims & atheists & 
        agnostics & taxi drivers & people 
`                with open hearts and open minds and open eyes


there you are

 
wandering
        on the National Mall at the feet of Lincoln
            ferrying the Hudson, led by Lady LIberty’s light
                navigating under the Golden Gate
                    gliding into the Port of Galveston

 


marching
       in Lafayette Park & Battery Park
       in Copley Square & Herman Square

 
       on Market Street & Lavaca Street
       on Fifth Ave & Congress Ave

 

landing and waiting and protesting
        @ JFK & SFO & DFW
        @ LAX & PDX & PHX
        @ PHL & STL & SAN & SEA
        @ IAH & DEN & RDU & ORD

 


speaking out
        from Lexington to Little Rock to Philadelphia
        from Sacramento to Albany
        from Cape Cod to Corpus Christi
        from Memphis to Milwaukee to Kalamazoo


speaking truth to propaganda
        in the Badlands
        in Yosemite & Yellowstone
echoing through the Rocky mountains and the Great Smoky Mountains

 

fist pumping at city halls and veterans halls
        in Houston & Honolulu
        in Burlington & Buffalo & Baton Rouge


America you are everywhere
        and soon you will be back
                in the White House
                                to put right
                                        the alt-right wrong
                                        the poisonous pencer
                                        the burnt orange trump card
                                        the fascist catastrophe


the World will be rooting for you
the World will be waiting for you
                                the true America
                                        the just America
                                                the free America

 

© David Siller – 2017

.

*****

For the first 100 days of the Trumpet administration, this blog will feature a new poem of protest, by my own hand and by others. They will be polished gems, or rough cut drafts of rage, or in process pieces searching for peace. They may be haiku or tanka, limericks or lyrics, verses free or fettered. If you would like to submit to this endeavor, please send an email, with poem saved as a word document (.docx) to waxyandpoetic AT gmail DOT com. All rights remain with the author. VISUAL ARTISTS ! Do you have something visually poetic that you’d like to submit? GO FOR IT!
Please address any formatting preferences in your email. I will post submissions time permitting, with at least one per day. Editing will be limited to obvious errors of spelling and the like.

Read, follow, share, re-tweet, submit, live, love, spread light! Don’t forget to use #100Days100Poems !

*****

#100Days100Poems Day 6

 

Much things to say about this poem from Leslie Speikes, but the poem really speaks for itself, out loud. We are all its “I” and we are all most certainly its “We.”

 

 

 

Just like poor Paula Alquist in that old black and white film,

They keep telling me that my capacity is limited

that social media and the media media

Have turned my pretty little head and my ability to comprehend has diminished

But no matter how far back into the dark I am pushed, i can still feel the shift and shimmy

Of the earth.

Even though I can’t see and i can’t hear

i can sense that

The world is tilting so far to the right that all our hopes have poor’d right on out

And we’re left sitting in the dark afraid. believing we are alone

My senses ache

We’ve been fucked in the dark for so long that a flash of artificial light causes us to rely on

Their lies and forsake our hearts, but this light?

It is only Gaslight

they will use these old scars to convince me i have done this to myself

We are so screwed down that you look crazy if you stand up


I am not crazy. I AM NOT CRAZY.

The lights have been turned on in another part of this White house

Someone is looking for jewels and they are using my fuel to do it

I am NOT crazy . I hear sounds. People are thumping just on the other side of this glass roof, but, but, I am told that I am not scared. While I stand here with my hands up and my father bleeding at my feet. I am told that there is nothing to be scared of now that the monster is slain . The blood of our sons and daughters cools and congeals on club house floors, but There is nothing to fear. I am being raped behind the dumpster in the alley and I am more guilty than my brutalizer, but I am told there is nothing to fear. And, if I don’t carry this baby to term, you tell me I’ll go to hell, but if I go home unmarried and pregnant, I’ll live in hell, but there is nothing to fear, and if there is nothing to fear, there is nothing to fight, and if there is nothing to fight then there is no reason to prepare.


My People, we must prepare!

 I am told that I am not scared,  but that I am crazy

I am not crazy

I am being slowly, systemically,  and institutionally driven out of my mind

I am lost because i have been misled

My teachers taught me that the good fight the evil…and win

That down is bad and up is good.

Leave behind the dark and  and walk in the light

That if I root for the underdog eventually we all get on down the high road to Paradise.

But sometimes?

        right now,

     today, pulling our mothers back from graves and  talking our brothers down from ledges,

 i feel these lessons returning void.

You can smell my fear.

 it smells like

cities burning and

people consuming each other

It feels like everyone above is tap dancing in the bones and ashes.

 they keep shouting down to me that

I am the crazy one.

Perhaps they’re right.

I’ve heard you go insane when you spend too long awake without dreaming.

So i will pick up the power of a dream and a mountain top.

I will believe again in the strength of this heart and that heart….and that heart.

And that heart

I will duck slings, twirl past arrows, and i will not return their fear with fists or bullets

I will pray, I will shout, I will cook dinners and have you over to eat at my table

I will read, I will listen and I will watch, I will sing, I will write, and i will vote

I will raise my fist in power and open my arms to love

 i will march as far as I can

And I will cheer you on as you march further.

We are not crazy.

We were broken

But now we knit bone back together with spirit and hold hands as we walk out of this

 long dark night together

© Leslie Speikes 1/25/2017
 

*****

For the first 100 days of the Trumpet administration, this blog will feature a new poem of protest, by my own hand and by others. They will be polished gems, or rough cut drafts of rage, or in process pieces searching for peace. They may be haiku or tanka, limericks or lyrics, verses free or fettered. If you would like to submit to this endeavor, please send an email, with poem saved as a word document (.docx) to waxyandpoetic AT gmail DOT com. All rights remain with the author. VISUAL ARTISTS ! Do you have something visually poetic that you’d like to submit? GO FOR IT!
Please address any formatting preferences in your email. I will post submissions time permitting, with at least one per day. Editing will be limited to obvious errors of spelling and the like.

Read, follow, share, re-tweet, submit, live, love, spread light! Don’t forget to use #100Days100Poems !

*****

 

 

 

#100Days100Poems Day 2

Today’s poem comes to us from Catherine Harren Barufaldi. An untitled haiku, its brevity does nothing to diminish its power, or the stark contrast it makes against what we’re fighting.

 

 

Mine will be just fine,
he said. Not enough for me
Since they are all mine.

 

Author: Catherine Harren Barufaldi. All rights reserved.

*****

For the first 100 days of the Trumpet administration, this blog will feature a new poem of protest, by my own hand and by others. They will be polished gems, or rough cut drafts of rage, or in process pieces searching for peace. They may be haiku or tanka, limericks or lyrics, verses free or fettered. If you would like to submit to this endeavor, please send an email, with poem saved as a word document (.docx) to waxyandpoetic AT gmail DOT com. All rights remain with the author. Please address any formatting preferences in your email. I will post submissions time permitting, with at least one per day. Editing will be limited to obvious errors of spelling and the like.

Read, follow, share, submit, live, love, spread light! Don’t forget to use #100Days100Poems !

How to Poetry Better (*w/ apologies to Fischli &Weiss)

The Guggenheim Museum here in New York City recently closed a wonderful retrospective of the Swiss artist duo of Peter Fischli and David Weiss. For those unfamiliar with their work (as I was), I suggest reading this from one of the Gallery Guides who posted on the Guggenheim Museum’s blog. Explore the site further to learn more about the exhibit.

 

One of the things that struck me about the retrospective was the infectious sense of play that clung to the works and also influenced museum goers of all ages. You could hear laughter and sighs of contentment, bursts of Aha! as jokes or visual puns sunk in; the entire space was filled with the buzz of people not just talking and reacting to the art, but feeding off its energy and fun. I’m currently working on a poem that more directly deals with the themes of Suddenly This Overview and some of the popular opposites that emerge there. But this present blog post comes inspired by a completely different piece in the exhibit, the Large Question Pot (1984), an enormous painted polyurethane and cloth vessel, filled with dozens upon dozens of questions on the inner wall, written in German in various colors.

large question pot
Photo by Philip Greenberg for the New York Times

 

In keeping with the theme of play (and, in some cases, the juxtapositions found in popular opposites), I wrote answers to some selected questions that the curators translated for the exhibit. These answers, at times short poems, or even poetic bits, or simply sharp responses, were written in quick bursts, as the muse struck, with no rhyme or reason necessarily to unite them, other than the poetic exercise itself. At some point I’d like to find translations of all the queries inside Large Question Pot (my German being, well, non-existent), to continue exploring what Fischli and Weiss bring out of me with their work. Until then, you’ll need to be content with these selections.

 

 

 

 

 

A Kettle of Answers to

Select Queries from Large Question Pot

When does the money get here?

Tuesday. As long as I get the burger today.

Should I put a red hat on?

No.

Should I sing?

And dance. But no beatboxing. Or humming.

Or mumbling. Or made up lyrics. Read the

karaoke screen for gods’ sake!

 

To whom is the moon useful?

Wooing lovers & lost wanderers & whitening

launderers & leaping wagyu & wage deficient laborers &

lonely werewolves & star-struck stuck strivers lacking in accuracy

Am I being watched?

Nice tie.

Should I invade Russia?

Napoléon: Non.        Reagan: No.

HItler: Nein.                Genghis Khan: Maybe.

        McDonald’s: HELL YEAH!

Should I go to the zoo?

Old MacDonald: But there are so many creatures on my farm

Ol’ Dirty Bastard: Brooklyn zoo!

Ol’ Man River: Roll along, jus’ roll along

Old Man: No, The Sea

Who governs the city?

Mr. Mayor, cousin to the congressman, son of the

senator, consort to the queen, lackey to the lords,

monkey for the mob, that sniveling sot standing at the open bar.

Why must I always fight?

Because of your honor. I’m a man

hero dreams etc, etc

Should I lie?

awake at night the mind swarming with thoughts lapping worries in photo-never-finishes?

saying the thing which is not? I love you.

down? Only if the ache has reached the tips of your fingers

Am I the chosen one?

Let’s review. She chose you and divorced you. They hired

the other candidate. The bouncer left the velvet rope up.

They skipped your number at the butcher’s. They called another name

down on The Price Is Right.

Sans scar, sans midichlorians, sans hammer, sans scantron, sans prophecy,

sans sword, sans portent, sans oracle, sans sacrifice, sans adoptive parents,

I’m gonna go with no.


Is there another bus?

The SMS says six minutes and the schedule says

yes and the queue says probably and the traffic

eventually and past experience at some point and

all I want is a window seat and a courteous driver

 

Why are the forests silent?

With no hikers and no bears and no trees or leaves or

loves falling, they’re really just enjoying the peace.

Do I know everything about myself?

A. YES                C. Maybe

B. NO                  D. Can I?

E. ALL or NONE of the above

Why can’t I sleep?

GCS nighttime

Who will pay for my beer?

On Tuesday, when Wimpy catches me back for

that burger, I got your beer.

Where are the galaxies moving to?

On up. To the east side. Where they’ve finally got a piece

of the pii-iii—ie.

What does my dog think?

IMG00016-20110103-1419

Do I stink?

Yes. At many things. But not hygiene. I bathe like nobody’s

business. Soaps and scrubs and shampoos and exfoliants

keep me clean. But they’re no help to my math skills,

flirting, dancing, drawing, and picking the fastest line at the market.

Was I a good child?

Grandma J: Indeed, the family’s Great White Hope

Grandpa L: I won’t get to see

Grandma L: Save the one time I drove you, wiperless, in the rain

Grandpa F: I won’t get to see either, but drink this beer, it’ll open your appetite

Grandma E: You’re too young to be bad, and I definitely won’t get to see

Mom: That’s my boy

Dad: Until you got your license

Brother J: Hell no, you just got away with it

Sister A: Probably-obably


Is the New Ice Age coming?

–Man, are they making another one of those movies?

or, alternatively,

–Of course, and the polar bears are more than a little impatient.


How far can one go?

Space-You-are-here-950x320

Is everything a game? And is it over?

If yes, up up down down left right left right

A B B A start select start. Then 99 lives.


Am I not right to ask?

it’s just that I never ask the right

questions or proffer the right answers

she: can I get your number? me: really?

she: flirts. I flirt. 20 minutes. Dammit I should’ve asked for her number.

Should I go? Should she stay?

Is she coming? Is she going? Is it love? Is it

like? Is it over yet? Is it really starting?

How will I know? How will I know? How will I knooooow?

Who you gonna call?

Naughty? Nice?

Candidate A? B? R? D?

When does it end?

 

 

Remember when L.L. said “…sometimes I stare at the wall…”?

Traces…Fragments…Figments

or

bedroom as

“…one message…”

and then the voice, honey (?) coated

    It’s…I know you weren’t expecting this call,

    but I thought you should know…”

            I placed the phone on the pillow beside me,

            a catch in my throat

*

on the mattress, closed,

    leather-bound, makara-colored cover beneath my left hand

        in the right, a still-capped pen

    wondering if ever it would write

*

the night stand—one corner balancing books

a tulip-shaped flute, glistening from the rosé

    bubbling inside—I couldn’t yet drink

                —on the nose: raspberry, cherry, a bit of rose?

*

lamp knocked to its side, bulb burning

on the wall hands open and close

unlike the child’s game, their shapes

    unrecognizable

*

it should’ve been your voice caught dripping into my ear

it should’ve been your lips on the tulip, your fragrance weighing the air

it should’ve been your cinnamon skin beneath tipsy fingers,

and then my tongue

 

it should’ve been your shadow on the wall