Since new comics are released every Wednesday, please enjoy the world premier of “Marvelous Dynamite Image, Vol 3, #12”
Since new comics are released every Wednesday, please enjoy the world premier of “Marvelous Dynamite Image, Vol 3, #12”
Hello, hello! Greetings and salutations! After finally recovering from #100Days100Poems, we return today with a poem using one of my favorite forms. Look forward to weekly (or so) updates: new poems, prose pieces, culture commentary and the like. Feel free to share this post, and let me know what you think!
And the first time we spoke was on a crowded
subway car and it was no accident
that I managed to untwist my tongue
long enough for an awkward hello to rise
from the timid lockbox that keeps me separate
from normal human interactions, where I am out of sync.
on most occasions where the M.O. is to sink
into myself, better hanging on to straps of crowded
thoughts, I instead jostle human to human to unseparate
my voice from your ears, your song from mine. No accident,
then, that in a few moments of foolish bravery or brave foolery I rise
to move from here to you, green light to expressive tongue
And tied it is, this cottoned, hesitant tongue,
where a life vest is not enough to stop me sinking
into my sea of doubt, bay of disbelief–and still I rise
from this too-tight seat on an underground train, crowded
with commuters & dancers & panhandlers. I have accidentally
convinced myself that words will not keep us separate.
and this end of the car, the score of bodies separating
us & our initial contact, our first wordsembracekiss, lips & tongue
dancing as if colliding in some mass transit accident
and I wade through the swamp of passengers. My heart sinks
as at first I struggle to make it through the crowd
of head-phoned, book-nosed, ear-budded, phone-focused mass. Hope rises.
And as I clamber through a bipedal jungle, as eyes rise
from my solitude to your ‘well, come over here’ glance, I begin to separate
this lumpy undesirable frame from the train crowd,
thought bubbles morph into speech bubbles as ‘hello’ moves from brain to tongue
and my only thought is how to sink
into the seat beside you, willing a welcome happy accident
or derailment– re-setting my course to you through accident
or crash through crowd and car, too. Rise
bold and brave in your vision–how I want to sink
into you, merge, mingle, marry, so as not to be separate
whether connected by hand or heart tongue
finding each other on a local, rush hour train, delayed and crowded
And as my tongue rises, clicks a tsk to roof of closed mouth, I sink into my seat.
It is no accident that this crowded commute insists on keeping us separate.
**
© David Siller – 2017
The Transporting Nature of Nostalgia
I miss the days of being stuck at
stoplights
that great white stripe, three, four lanes across
from which we all get to go
protected left on arrow, protected right on arrow
red yellow green—safety in
order, order in
chaos
Nowadays we’re all on the great concrete way
fancy German sports sedans blazing
on the right
past old American hand-me-downs
poking and prodding along left lanes left
for passing
& overpasses, overpassing the common volk & the homeless folk
the strip mall windows and drive-through hopes
overpasses over the traffic light democratics
open lanes for overtaking and overbraking
I miss the days of underground trains and
on-the-ground buses, their keep-me-in-touch-
with humanity hanging on to
this black strap, that cross bar
offering my seat to the blue-haired lady
or the hunched and forgotten vet, my
reach to the heavens and hanging strap
to over stand these passengers
and this public transport transporting
to overstanding
beyond the Big Budget Expressway, costly toll
for the mega-traffic, stock still
as the mega-steeple
and the mega-cross
from the mega-church
mark time and distance to making it
home
The Big Concrete Way: the Parking Lot of the Future
always between exits, never getting to speed
I miss the days of walking blocks, strolling hat-tips to
friends, friendly hellos to vendors and
vagrants and visitors and café-seated voyeurs
I miss elbow bumps and excuse mes and
lovely days and walk signals and don’t walk waits
and pretty dresses and shiny leather shoes
and setting my own pace and avoiding
dog droppings and paper crumples and ice patches
and even the occasional “you dropped this”
or “no after you”
or “could you tell me how to get to —”
At what cost the Freeway, with its perpetual deconstruction-construction
orange cones lining narrow lanes and late-night delays
where speed limits jump and cruise controls shudder
where parkways are
from
5AM to 9AM
&
3PM to 7PM
moon day to fried day
speed on down, speed on down the road
past these people and these problems
past these parties and this progress
speed on down, speed on down the road
Don’t you carry nothing that might be a load
what with the exits not clearly marked and all